GuitarGangsters.net https://validator.w3.org/feed/docs/rss2.html November 2, 1966: Remembering Mississippi John Hurt SatchVai The Sea of Emotion Review: Guitar Candy at a Ridiculous Level The Amp That Only Legends Could Touch — Now In Your Pedalboard: Universal Audio UAFX Enigmatic ’82 Overdrive Special Amp TC Electronic Sub ‘N’ Up Octaver: The Ninety-Dollar Box That Made Three Extra Guitarists Appear Squier Classic Vibe ’50s Stratocaster: The Strat for Everyone The Lunchbox That Bites: PRS MT 15 Mark Tremonti Signature Head Where Randy Smith Started: The Mesa/Boogie California Tweed 6V6 4:40 Meris Enzo Synthesizer: The Pedal That Won 2018 by Refusing to Be a Guitar Pedal Half the Cab, All the Punch: The Marshall 1936 2×12 Cabinet and the Case Against the Full Stack J. Rockett Archer Ikon: The Klon Clone Built By The Company That Almost Made The Real Thing Fender ’57 Custom Deluxe: The 12-Watt Tweed Box That Made More Hit Records Than Any Stack Ever Built Two Pedals for the Price of One: The Electro-Harmonix Hot Wax Dual Overdrive and the Art of Stacking From a Single Box Every Organ You Ever Loved, Crammed Into a Stompbox: The Electro-Harmonix B9 Organ Machine The People’s 5150: How James Brown Bottled Eddie Van Halen’s Legacy for Under a Grand Strymon Sunset Dual Overdrive: Six Classic Circuits, Two At Once Strymon Riverside Multistage Drive: The Preamp That Refuses to Be a Pedal The Secret He Kept For Thirty Years: Inside the Keeley Halo Andy Timmons Dual Echo The Smallest Memory Man: How the EHX Memory Toy Packs 550ms of Warm Analog Delay into a Nano Box Caroline Guitar Company Shigeharu: The Fuzz Named After a Waiter, Built to Survive the Mix Browne Amplification Carbon: What Happens When a Boutique Builder Cuts His Own Flagship in Half Ten Years of Practice, Four Generations Deep: The Blackstar ID:Core 40 V4 Gets Serious About Your Bedroom Way Huge Green Rhino Overdrive MkV: The Smallest Rhino in the Herd, and the Most Misunderstood Strymon blueSky Reverberator V2: The Pedal That Taught Guitarists To Care About Reverb Strymon Flint Tremolo & Reverb: Six Decades Of Amp Guts In One Green Box Strymon El Capistan dTape Echo V2: The Pedal That Made Digital Tape Believable The Amp That Fits Between Your Tuner and Your Delay: Quilter SuperBlock US The Amp You Carry in Your Backpack: Positive Grid Spark Mini Old Blood Noise Endeavors Visitor: The Modulation Pedal That Refuses to Stand in Line Nine Synths in One Stomp: The Electro-Harmonix Synth9 Synthesizer Machine Time Machine in a Box: The Electro-Harmonix Mel9 Brings the Mellotron to Your Pedalboard Eighty Bucks and a Legend: The Electro-Harmonix East River Drive Is What Happens When Analog Man Meets New York City EarthQuaker Devices Acapulco Gold: One Giant Knob, One Very Angry Sunn Model T DigiTech Trio+ Band Creator + Looper: The Pedal That Hires a Rhythm Section You Never Have to Text Analog Man Prince of Tone: The Half a King You Can Actually Buy Source Audio Collider Delay+Reverb: The Greatest-Hits Record That Outsold the Albums The Amp That Fits in Your Jacket Pocket — Positive Grid Spark GO Reviewed The Marshall DSL5CR Is the Sweet Spot Nobody Argues About The Overdrive That Refuses to Be Boxed In: MXR M77 Custom Badass Modified O.D. Half a Second of Tape and Three Kinds of Room: The Keeley Caverns Delay Reverb V2 and the Sequel That Deliberately Did Less Ibanez AZ2204 Prestige: The Versatile Ibanez the Shred Crowd Never Touched Fulltone Fulldrive 2 MOSFET: The Boutique Era in a Box Walrus Audio Iron Horse V3: The Oklahoma Rat That Refuses To Be Called A Rat The Vox AC15CH Custom Head: 15 Watts, a Reactive Attenuator, and the Chime That Started British Rock Vox AC15C2: The Twin That Refused to Be Half an AC30 Strymon Compadre: The Compressor That Replaced Strymon’s First Pedal Orange Super Crush 100: The Solid-State Amp That Makes Tube Purists Ask Questions The Turquoise Circle That Rewired Rock: Dunlop JH-F1 Jimi Hendrix Fuzz Face Catalinbread Katzenkönig: The Cat King That Bolted a Tone Bender MkII to a RAT Eleven Ways to Make the Air Move: The Wampler Terraform and the Multi-FX Pedal That Refused to Have a Screen Home