GuitarGangsters.net https://validator.w3.org/feed/docs/rss2.html PRS Custom 24: The Flagship Guitar Its Most Famous Names Barely Played PRS Custom 24: The Modern Guitar That Found the Sweet Spot Between Gibson and Fender ESP LTD EC-1000: The Guitar Gary Holt Kept On Playing No Outlet Required: How the Roland Cube Street EX Became the Busker’s Secret Weapon One Knob, One Job, Zero Compromise: The MXR M133 Micro Amp and the Art of the Clean Boost Cheetah Chrome Guitars & Gear: Dead Boys’ Savage Riff Machine Complete Rig Guide Martin Simpson Guitars & Gear: British Folk and Americana Guitar Complete Rig Guide Tanya Donelly Guitars & Gear: Throwing Muses, Belly & Breeders Complete Rig Guide Bernard Allison shares Time Traveler ahead of Loving You Bilinda Butcher Guitars & Gear: My Bloody Valentine’s Ethereal Voice Complete Rig Guide Billy Zoom Guitars & Gear: X’s Gretsch-Wielding Rockabilly Punk Complete Rig Guide Hank Shermann (Mercyful Fate) Guitars & Gear: The Complete Guide to Black Metal’s Melodic Pioneer’s Unholy Rig Michael Hampton recalls his Gibson L6-S in Funkadelic interview Taylor GS Mini: The Small Guitar That Changed Everything Phil Demmel (Machine Head/Vio-lence) Guitars & Gear: The Complete Guide to Bay Area Thrash’s Double-V Axeman’s Rig Alice Cooper announces Alice in Underland on SiriusXM Mega Is Not a Metaphor: The Boss MD-2 and the Art of Absolute Distortion Marshall 1959 Super Lead Plexi: The Amplifier That Taught Rock Music How Loud It Was Allowed To Be The Amp That Named Itself After Its Rival: Inside the Orange AD30HTC One Knob to Rule Them All: The Eventide H9 Harmonizer and the Studio That Fit on a Pedalboard Paul Reed Smith answers the PRS dentist-guitar stereotype Eventide PitchFactor: Fifty Years of Harmonizer Squeezed Into a Cast Metal Box Eventide Space: The Reverb Pedal That Stopped Pretending to Be a Room Eventide TimeFactor: The Day the Rack Climbed Down Onto the Floor Impureza share Covadonga fretless bass playthrough The Amp That Put Tweed Back on Stage: Fender Blues Deluxe Reissue The Pedal That Fixed What Wasn’t Broken: Inside the Electro-Harmonix Neo Clone Hit Pause on the Universe: The EHX Freeze Sound Retainer Is the Most Quietly Radical Pedal on Your Board Squier Classic Vibe ’50s Telecaster: Blackguard Reborn Twenty-One Years of Jet-Plane Flanging Wasn’t Enough: The Boss BF-3 Keeps the Legend Flying DOD 250 Overdrive Preamp: Two Knobs, Fifty Years, and the Cheapest Route to an Angry Marshall Fifty Years of Liquid Motion, Now Pocket-Sized: The Electro-Harmonix Small Stone Nano Boss ML-2 Metal Core: When Boss Decided Enough Was Never Enough One Footswitch, Fifty-Five Sounds: Why the Zoom MS-50G MultiStomp Became a Cult Classic A Tube Screamer With Two Extra Rooms: The Xotic BB Preamp and the Quiet Art of the Bolt-On Upgrade TC Electronic Corona Chorus: The Green Box That Sold You Its Own Ancestor TC Electronic Ditto X2 Looper: The Looper That Grew A Second Foot And Still Refused To Grow A Brain Tobias Forge’s Repugnant video enters the V/H/S/Mixtape horror anthology The Pedalboard That Ate Your Backline: Strymon Iridium Amp & IR Cab The Mesa/Boogie Studio Preamp: Clean Enough to Let Kurt Cobain Destroy You Maxon OD808 Overdrive: The Circuit That Built Rock Guitar — Made by the People Who Invented It Stanley Jordan discusses metal album and ESP Iron Cross Zakk Wylde questions electric-guitar tonewood claims Gibson returns the L-5 to its core lineup with a 1957 CES Reissue Foo Fighters go from Marvel Stadium to 1,250 fans at Crown LIVE West Texas Thunder in a 1×12: Why the Mesa/Boogie Lone Star Special Became a Sleeper Classic The Pedal That Gave Birth to a Signature: JHS Angry Charlie V3 and the British Gain That Changed Everything Sixty Watts of Fury in a Box You Can Actually Carry: The Peavey 6505+ 112 Combo Green Machine: The Ibanez TS808 Tube Screamer and the Myth That Made It a Legend Home